Matt Braun is considered by enthusiasts to be the greatest Western writer working today. His new release Western Lore is available in book stores, Amazon and Kindle. Western Lore spans the American West from the era of boomtown shootouts to the days of crafty cardsharps on transcontinental railroads. Matt Braun, with a masterful collection of short stories, brings to life such legendary characters as Wyatt Earp, Wild Bill Hickok, Billy The Kid, Doc Holliday, Buffalo Bill Cody, and Bat Masterson. Every story, based on historical fact and mythical truth, depicts the bold and the brave, the rogues and the rascals of a time when men challenged a lawless frontier.
A western blog featuring articles, stories, art work, poetry, and excerpts from Western Novels. Cactus Country is a new way to read all about the west.
To The Duke
Monday, December 16, 2013
Sunday, September 29, 2013
Western Writer, Dusty Richards, Honored
Western author, Dusty Richards, was honored last night at Music on the Mountain near Chester, Arkansas. Nashville country singer, Royal Wade Kimes, puts on the event in conjunction with his charity, School Children's Back Pack. Dusty was specifically honored for keeping the cowboy alive in his many stories and novels about the west. To date, Dusty has published 137 novels. His latest release is Blood on the Verde, available everywhere. For those of you who know Dusty, give him a shout and tell him congratulations. This is quite an honor for him. For those of you who don't, you can write to him here and say hello.
Saturday, September 28, 2013
Baker Mountain, by Missouri Author, Doyle Suit
Years ago I met a nice man, Doyle Suit, at one of my writers groups here in St. Charles, MO. Doyle soon became a treasured member of our group. He read a little from his western a few short stories and bits and pieces of a memoir he's working on. In between all of this, he read maybe one chapter of his YA novel, Baker Mountain. After awhile I finally asked if this book was finished, because that little snippet had stuck with me. Yes, it was finished, and yes, he wanted to send it to me to see what I thought. I snatched it up with a contract as soon as I finished the last page. I sent the manuscript to Margo Dill Balinski, a freelance editor who also works for High Hill's Young Adult division. I didn't realize that Margo had edited Baker Mountain the year before. We worked on galleys for awhile, and finally, this month, Baker Mountain saw the light of day. Donna Volkenannt is giving away a copy of Baker Mountain if you stop by her blog and make a comment.
I've pasted the first chapter below so everyone can see what I saw on that first read. Baker Mountain is a terrific book, available now through High Hill, but on October 1st it will be available everywhere. The cover image is by Thereisa Housley, an Arkansas artist we often consult when looking for something original . The oil painting we used is the perfect cover for this book about the life of a 16 year-old-boy during the depression. He was moved from his happy city life in Louisiana after the death of his mother, to the center of the Ozarks in the Ouachita Mountains to live with grandparents he barely knew. Now read a little of Baker Mountain.
Chapter One
The Model A Ford quit the blacktop
for a rutted gravel track through the foothills, and sixteen-year-old Gary Hill
watched worn-out wiper blades struggle to remove splashing rain. Mr. Hill
fought the wheel while the car bounced and skidded on the muddy road. Puddles
hid rocks and patches of slippery red clay, making the surface treacherous in
the gathering darkness. The trip from New Orleans had taken two days of hard
driving, and he was on his way to live with grandparents he’d never met.
“Only thirteen more miles,” his
father said.
Gary’s thin jacket soaked up the
water squeezing through the leaky window. He wanted to ask if the old couple
would welcome him, then he hesitated, not sure he’d like the answer. He’d find
out soon enough. Having to leave his home and his friends just wasn’t fair. His
mother wouldn’t have done this to him
Gary looked forward to his
seventeenth birthday, but he wasn’t eager to be exiled in these backwoods
Ouachita Mountains. He didn’t even know anyone in Arkansas. He missed his mom.
In New Orleans, he’d been popular, playing basketball and baseball while boxing
at the boys club. His grades ranked near the top of his class, and he needed
only one more semester to graduate. Violin lessons had sparked his love of
music. That life was gone now. He felt like a storm-tossed boat without a
rudder.
After his mother died, he’d quit
violin lessons. The boys club was the only place things went well. He’d been a
promising lightweight boxer, undefeated in a dozen amateur fights. His manager
encouraged him to turn pro, but he’d refused. He didn’t want to end up punch
drunk like most old fighters he’d met.
After another mile, he swallowed to
quell nerves that threatened to choke him. “Do Grandpa and Grandma Lee really
want me, or did you tell them I needed a place to stay?”
His dad’s breath rattled like
windblown dry leaves. “They loved your mother, even if she left home to marry
me and make a different life for herself. I know you’re capable of making it on
your own, but give your grandparents a chance to help you.”
Gary stared out the windshield
without seeing. “I don’t know much about farms.”
The self-pity in his voice was
evident, even to himself. But the void in his gut hurt like salt on open sores.
His father drowned his grief in whiskey, lost his job, and sat home all day
staring into space. He hadn’t done much to help Gary deal with the loss. Some
days, there was no food in the house.
He didn’t know much about stock
markets, but the 1929 crash sure messed up his life. Four million people were
jobless. By 1931, his father’s savings had vanished. The sturdy little Ford was
all they had left.
His newspaper route helped pay bills
when his father drank up the rent money. He’d also worked a few days each month
as a carpenter’s helper. Now, he’d have to start over. Maybe he could find
another job, but that was probably wishful thinking. Jobs weren’t likely to
exist in this wilderness.
His father finally acknowledged the
treacherous road and slowed down. The car splashed through water-filled
potholes and swollen creeks drenched by cold February rain. Gary didn’t see
anything except hills and trees until his dad pointed out the general store at
Crossroads.
The road narrowed. Ruts deepened, and
the rocks grew larger as they approached Baker Mountain. The headlights
revealed his grandparents’ name on the mailbox, and they turned into the lane
to climb a three-quarter mile grade to the farm.
Wet leaves brushed the car from tree
limbs attempting to reclaim the lane. His father drove carefully to avoid the
red mud as the Ford negotiated the narrow path. When they topped the hill, the
house that was to be Gary’s home stood silhouetted in the headlights. The
weathered building looked old, built of pine logs with a lean-to wing on one
side. His heart sank at the thought of living in a log house. Dense forest
surrounded the dwelling. Weeping clouds completed a scene of misery.
A flat bed Model T truck huddled
under a bare oak tree in the yard. The sagging barn nestled against a timbered
flank of the mountain. It looked ready to cave in.
The smell of wood smoke filled the
damp air. Gary grabbed his two small suitcases, and his father carried the
cardboard box holding his violin and the rest of his belongings. Dodging
puddles, they dashed to the porch where a pair of noisy black and tan hounds
greeted them with suspicion. They stopped under the sheltering roof to brush
off the clinging raindrops.
When Grandpa Lee pulled open the
front door, he reminded Gary of a poster he’d seen about mountain men. “Hush, Rufus.
Hush, Reb.”
Shaggy gray hair
billowed over his ears. Suspenders held up wrinkled khakis on his lean frame.
His battered boots rattled on the plank floor. He looked old. “Get in here
before you drown.”
Grandma wasn’t far behind, grimacing
with pain as she reached to hold open the door. She wiped her hands on an apron
and looked up from her bent frame with a welcoming smile. Her long hair was
gathered in a bun on the back of her head. “Come in and get those wet coats off
before you catch your death.”
“We’re glad to be here, Henry. It’s
been a long two days.” Gary’s dad shook hands with his father-in-law. “This is
your grandson, Gary.”
Grandma hugged them both. “Welcome,
Gary. Put your things in the front room of the lean-to. You’ll sleep there.”
“Evening, Nelda,” Gary’s dad said. “I
appreciate everything you’re doing.”
“I’ll have supper ready in five
minutes.” She disappeared into the kitchen.
Heat from the fireplace felt good.
Gary warmed his chilled body before the open flames and examined the sparsely
furnished room. He stood almost as tall as his father, but his wiry frame
lacked forty pounds matching the man’s weight.
A colorful rag rug covered the wood
floor. Rough oak chairs stood scattered about, and two kerosene lamps rested on
small oak tables. When Grandpa threw on another log, wisps of steam rose from
their clothing. Conversation dwindled until Grandma called them to supper.
After the blessing, she served
warmed-up ham and fried potatoes with a glass of milk. It was simple fare, but
hunger after the long trip made it taste good. Gary’s eyes remained downcast
while the adults made uneasy small talk. Finally, his dad brought up the
subject everyone had hesitated to mention.
“Ruth fought the cancer as long as
she had strength.” His normally steady voice wobbled. “She told me before she
died that she regretted not being able to visit. Gary and I have been lost
without her.”
Gary’s grandpa tugged at his
whiskered chin. “Losing our only daughter hurt bad. I’ll confess to blaming you
for taking her away, Austin.”
His father’s adam’s apple bobbed
visibly. “I ship out on a freighter Monday morning. I’m lucky to be hired, and
I’ll be able to stay away from the bottle at sea.”
Grandma touched Gary’s arm with a
trembling hand, her voice soft as lotion. “We’ll have lots of time to get
acquainted.”
He felt his tight nerves unwind a bit
and returned her touch.
“I can leave twenty dollars to help
with the boy’s keep,” his father said. “It’s not much, but I’ll send more after
I’m paid.”
Gary winced like he’d been hit in the
stomach. It sounded like he was being sold. Would his dad ever come back for
him?
“It don’t cost much to live here. We
grow most of our food,” Grandpa said. “Besides, we can use extra help.”
Gary wished they’d stop talking about
him as if he weren’t there.
“Roscoe Higgins still run the
bootlegging business around here?” Austin asked.
Grandpa nodded. “Same as always.”
“I hope you won’t let Gary get mixed
up with Roscoe. He’s bad news.”
“He’s more careful after two terms in
the pen. He got a year when the sheriff found his still and three more for
assaulting a deputy. There ain’t no need for the boy to get involved.”
“You still make shine, Henry?”
Gary wasn’t absolutely sure what
bootlegging was about. It didn’t sound like anything he wanted to be around.
These mountain people lived a different life. He had a lot to learn.
“Batch now and then,” Grandpa said.
“There’s a big demand since the government passed prohibition. Roscoe leaves me
alone, long as I sell it local—to people we know. Roscoe mostly sells his
whiskey outside the county. The sheriff looks for big operations. He doesn’t
come nosing around here.”
Gary sent his grandfather a
questioning look.
“About bed time,” Austin said. “I’ll
be leaving before sun up.”
Gary said goodnight and went to his
room. The lean-to wasn’t heated, and he shivered under the quilts. The cot was
narrow and harder than his bed at home. During occasional lightening flashes,
he lay awake staring at the sloping roof. Raindrops pelted the wood shingles.
Though he wasn’t used to praying, he mustered a few words of hope that his dad
would stop drinking and keep his promise to come for him when the ship made
port. His grandparents were strangers, and life in these mountains scared him.
It seemed like he’d just closed his
eyes when his father shook him awake.
“It’ll be daylight soon. I’ll write
when I get to a port where I can mail the letter. Don’t give your grandparents
any trouble.” He clutched Gary in a hug and left.
“Bye, Dad.” Gary’s voice cracked, but
he didn’t allow himself to cry.
If you'd like to purchase your copy of Baker Mountain now, e-mail us at thecactuscountry@aol.com
Friday, September 27, 2013
New Westerns at Cactus Country
Cactus Country is proud to announce that Matt's short story collection, WesternLore, is now on the shelves. You can order your copy at your favorite bookstore, online with Amazon, on a Kindle, or directly through High Hill by going to their website. High Hill Press Matt has 40 million books in print, and for those who've followed his career, this collection of stories about your favorite western legends would be a great addition to your library.
A few years ago I met a writer at a Western Writers of America Convention that I knew would soon make a name for himself, and he has. Rod Miller has published several books, tons of short stories, and some poetry. He's been winning Spur Awards for his work, and recently published a book with High Hill Press titled, Cold as the Clay. If you love western writing, this book is a must read. It's available everywhere, and you might want to ask your local bookstore to keep it on their shelves. There is a lot of buzz out there about Rod and his writing.
Make sure to read Cold as the Clay.
Cotton Smith is a brilliant writer and Ring of Fire is another terrific Western that should be a must for every western reader. The audio version of Ring of Fire won a Spur in June of 2013.
Cactus Country did it again with its third anthology. This book is a great collection of western voices. It also includes 40, four line westerns. That's right. In just four lines these creative authors gave us a glimpse of the old west and its characters. We see deserts and wagon trains, cowboys and Indians, horses and rattle snakes. Complete stories in just a few words so craftily written that we can see an entire story. Cactus Country III is available through High Hill Press, and will soon be issued in a hard back edition available everywhere. And do you like our new logo? Dusty always said we look for stories that will fit under a cowboy hat. It doesn't matter that the hat is on an 1800's cowboy, or a modern New York City fella, if it feels like a western, then it is. We love traditional westerns, but we're open to westerns that are written well, but may not fit into the guidelines for traditional. If you'd like to submit to one of our anthologies, click on the link to go to our Cactus Country e-mail
Cactus Country Publishing. Please just send us a query if you have a novel, if you have a short story, or article you think we'd be interested in, just send the whole thing. Thanks.
Thursday, February 28, 2013
Red Hill--A New Take on an Old Genre
Now, this isn't a Western in the traditional sense. It doesn't take place (or, in the case of Spaghetti Westerns, pretend to take place) in the American West. There are no natives, helpful or otherwise. And rather than a Western drawl, the characters speak with an Australian accent.
Despite the fact that this film takes place in Australia, it still somehow manages to capture the essence of the Western. With the exception of Shane, the characters are rough around the edges, and all of them dress fittingly for a modern Western. The Australian landscape functions well as the backdrop, becoming another character with its dirty red hills and scrubby trees.
The plot isn't the most original--a young cop with past failings moves to a new town with his beautiful, pregnant wife and is forced to prove himself when a convicted murderer breaks out of prison. However, the direction of this movie is top notch in terms of beautiful vistas and action scenes, and the no-nonsense style of acting is hauntingly reminiscent of of the Westerns of old.
If you have a couple hours this weekend and happen to have Netflix Streaming, give an Australian Western a chance.
Despite the fact that this film takes place in Australia, it still somehow manages to capture the essence of the Western. With the exception of Shane, the characters are rough around the edges, and all of them dress fittingly for a modern Western. The Australian landscape functions well as the backdrop, becoming another character with its dirty red hills and scrubby trees.
The plot isn't the most original--a young cop with past failings moves to a new town with his beautiful, pregnant wife and is forced to prove himself when a convicted murderer breaks out of prison. However, the direction of this movie is top notch in terms of beautiful vistas and action scenes, and the no-nonsense style of acting is hauntingly reminiscent of of the Westerns of old.
If you have a couple hours this weekend and happen to have Netflix Streaming, give an Australian Western a chance.
Tuesday, February 12, 2013
Future Cowboy
This little fella dreamed of nothing else growing up, than to be a real cowboy. This is his picture at the age of six, and you can tell how serious he is. If you know the name of this cowboy, I'll send you a copy of our brand new anthology, Cactus Country Anthology Volume III.
We've waited a long time for this book, and we're proud to say it was worth the wait. Read Matt Braun, Dusty Richards, Jory Sherman, Brett Cogburn, Eddie Owens, John Nesbitt, Johnny Boggs, and many more authors who've written about the west their entire lives. We're especially excited about Matt Braun's Dead Man's Hand, it's the opening story in a new collection from Matt titled WesternLore due to be launched at the Western Writers of America convention in June. Check out WWA and plan to join us this year for their 60th convention in Las Vegas. Western Writers of America And remember, send me the name of the cute cowboy and I'll send you a copy of Cactus Country III. Cactus Country
Monday, February 4, 2013
Cactus Country Anthology Volume III
Cactus
Country Anthology Volume III is in the works! It will contain works by authors
such as the cowboy Dusty Richards, the prolific Matt Braun, the award-winning John Nesbitt, and the grandson of the real Rooster Cogburn, Brett
Cogburn. As you can see, some of the best Western writers of the era have been
chosen by Lou Turner and Dusty Richards for this anthology, including many past
Spur Award winners.
Dusty Richards has published over a hundred books in
addition to many short stories and articles. He's been the recipient of many awards, including two Spur Awards in 2007: His novel The Horse Creek Incident received the award for Best Original Paperback Novel, and Comanche Moon won for Best Original Short Fiction.
Brett Cogburn is the great-grandson of the real Rooster
Cogburn, who inspired True Grit. Speaking of which, if you haven’t read the
book or seen either of the movies, clear your schedule and do yourself a favor.
I think the Coen brothers’ rendition was particularly well done. Hailee Steinfeld might be one of my favorite
up-and-coming actresses based solely on that movie. Sorry for the tangent--I just watched that movie again.
John Nesbitt, author of twenty books and winner of three Spur Awards, is also featured in this new anthology. Some of his most recent work includes a novella, Dead for the Last Time; a novel, Poacher's Moon; and a traditional Western, Not a Rustler.
Also
included is Matt Braun, considered by some to be the best and most authentic
current Western writer in the country. Born in Oklahoma to a long line of
ranchers, Braun writes what he knows—the West—and his stories are often based
on reality. Braun was raised among the Cherokee and Osage tribes, where he
gained respect for Indians, and he learned their philosophy that each man has
the right to choose his own path. Braun has spent the majority of his life
wandering the West, and has won a Spur
Award and the Festival of the West Cowboy Spirit Award, among others.
Braun currently
has 40 million books in print and his book, Black Fox, was made into a
mini-series by CBS. His short story collection, WesternLore, is set to be published by High Hill Press this June.
The book’s launch, which Braun will be attending, will be at Western Writers of America Convention.
With
this new anthology comes yet more proof that Western writing is far from dead—amazing,
authentic stories are still being produced by those for whom the West is still
the great frontier.
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